Friday, March 21, 2008

Fairly new poem. . .

These Boys in the Car

I’m thankful for the conversations you have
with the people who talk to you first
because I am the worst
at being the one
who has to talk first

And so this is the story
told to me
in the back of a church sanctuary
from the very last pew
by a woman I knew
through her husband
and because I didn’t get up the nerve
I almost never heard
the greatest story
that I’ve ever heard

she says,
“These two boys!
These two boys!
High school age
come flying over the hill
by our place

these boys are driving
90
just flying!
Over the hill by my place

And as they come over the hill
what do they see standing right in the middle?
Right on the double yellow line?
But a bull
a full sized, brown bull with horns no less
and they hit that bull head on,”
she says


“Boom! The bull drops dead in the middle of the road
and the boy’s car goes
and skids into the ditch
an front of my home

and now over the hill comes a semi
from the other way.”
“No, way,” I say, “No way,”

“Yes,” she says, “This semi
now it comes flyin’
over the side of the hill
and there is the bull
still
lyin’
right in the middle of the road
right front of my home

and the semi just annihilates this poor bull
launching it into the air
and this mass of blood, meat, and hair
comes crashing down
where?
Right on the hood
of the car
of the boys in the ditch

it’s just staring
through the cracked windshield
with it’s big, dead, bull eyes
blood dripping
as both boys try
to get out of the car but they can’t
because the doors are stuck

and then the semi,” she goes on,
“Slides over the ditch
and it skids onto my lawn
and tears through the grass I just mowed
until it comes to a stop
just feet from my picture window.”
As she’s talking
I’m leaning more and more forward
on the pew where I sit
and I think this story is so freaking fantastic
I can’t wait
to steal it

“There’s more,” she says
but I don’t know if I can take any more
there’s speed, and wrecks, and blood, and gore and stupidity galore
what more
could you need in a story?

She says, “I’d been asleep
and I hear this crash
so I make a mad dash
to the living room
I throw open the curtains and look outside
and staring back
are the eyes
of a man of a man in surprise
behind the wheel
of an enormous semi
just three or four feet away, maybe five

so I run over
and throw open the door
and see the boys with the bull on their hood
screaming in horror
for someone to open their doors
and I think for sure
this is the end of the world
and the bull. . .
starts. . .
to moan. . .
Arrrruuuuuuuuu!

And those boys fly
into that backseat so fast
as the bull raises his head and looks right passed
them
almost like he’s looking at me
and thinking
This isn’t how I thought my day
was going be

and now the semi driver is out on the lawn
between the truck and my home
standing there
stretching out his arms
as if measuring the distance
from his grill
to the window glass
as if it were the distance
from his first breath to his last

and I just called 911
and by the time I get done
telling them what I’ve seen
all three town cops come
because this story’s too good to believe

and as the first cop car approaches the site
the guy gets so excited
that he immediately slams on his brakes
and the two cars that are behind
can’t stop, and they collide
with his backside
causing the fourth and fifth wrecks of the day.”

and so she finishes her story
this wonderful story
with such bravado and blazing white glory
and I cannot think of the words
to show appreciation for the story I’ve heard
so I just give her a hug and say
thank you

2 comments:

Anonymous said...

I liked the story when you told it to me the other day, and there are elements of it that I like in prose poem form, like the moaning of the bull, the line: "but I don’t know if I can take any more
there’s speed, and wrecks, and blood, and gore and stupidity galore" and the entire last stanza.
There are a few things that might be reworked.

I think the first stanza could be written as a non-poetic epigram, or else emphasize more the rhyme of worst/first by getting rid of some of the wordiness.

The next three stanzas, I like; they are exposition, and I think you have good, basic images and conversational beats that set up what we are going to see, but after that, I think you could try to capture even stronger sensory detail though a repainting of the sounds and sights as you might be able to conjure up, rather than through the more literal language of the conversation as you've recorded it- there's just some wordiness, like:

And as they come over the hill/
what do they see standing right in the middle?

That gets repeated before and after- and I know this sets up suspense in a real conversation, but, maybe you could describe even more of her story-telling technique/your reactions at the time in the wordier moments she has, just because they don't translate to the rhythm of the poem as well.

The stanza that begins with the 911call and the following one with the cop car collisions also lack the tension of the rest of the poem and aren't as descriptive; cut out the obvious and assumed and throw the reader more deeply into this crazy mess as if we were there at the scene, rather than just reading it/listening to it third hand. I know you ARE going to be reading this aloud, but rather than have the poem sound more like a re-telling of another story, rather than a poem, I think emphasizing sights and sounds and cutting the fat from a few of the stanzas would help.

Unknown said...

I agree with Mike. You should include a stanza (whatever that is) about Jell-O Pudding Pops.

Also, if you want to find your voice on this blog, you need to write on it more often - probably everyday for a while. I know you'll say you don't have anything to write about, but it's easy to come up with topics. Here are 10 that I thought of in 5 minutes (or I will have thought of in 5 minutes once I'm finished) that you can have for free to get you started.

1. What every young person should know about gastropods.
2. How your choice of socks can make or break your ministry.
3. Should the 11th Commandment be "Thou shalt not speculate about any additional commandments"?
4. The top four and a half Bible stories about public speaking.
5. Home-made ziplines - a fool proof recipe for fun.
6. Why does God allow cool things to have stupid names like "walkie-talkie"?
7. People named "Chris" should be able to cut hair without any special training.
8. Why you shouldn't take suggestions for blog topics.
9. Lederhosen?!? Lederhosen.
10. Rocky Mountain High, Colorado. COLORADO!!!!